Academy of Motion Picture
Arts & Sciences
www.oscars.org
Erin Franklin
efranklin@oscars.org
(310) 247-3000
Aramark – Work Apparel & Uniform
Services
www.aramark-uniform.com
Jon Fox
Jon.Fox@aramark-uniform.com
(800) 677-6060 x5843
Caddy Products Inc. and
Leading Edge Systems
www.caddyproducts.com
Jim Winebarger
jim@caddyproducts.com
(800) 845-0591
Christie Digital Systems Inc.
www.christiedigital.com/DCinema/ InFocus.htm
Scott Freidberg
scott.freidberg@christiedigital.com
(760) 773-1183
CinemaSource
www.cinema-source.com
Brett West
bwest@cinema-source.com
(203) 438-8389
The Coca-Cola Company
www.coca-cola.com
Kristin Wilson
krwilson@na.ko.com
(404) 676-2121
Dolby Laboratories
www.dolby.com
Christy Ventura
info@dolby.com
(415) 558-0200
Dolphin Seating
www.dolphinseating.com
Sam Snell
sam@usadafeng.com
(505) 762-6468
Franklin Designs Inc.
www.franklindesigns.com
Diane K. Melohn
Franklindesigns@aol.com
(601) 853-9005
Harkness Screens
www.harkness-screens.com
Dennis Pacelli
dpacelli@harkness-screens.com
(540) 370-1590
Kernel Season’s
www.NoMoreNakedPopcorn.com
Krystal LaReese-Gaule
Krystal@kernelseasons.com
(217) 741-0507
NCS Corporation
www.ncsco.com
Ron Elben
drose@ncsco.com
(800) 776-6271
Odell’s
www.popntop.com
Arthur Anderson
odells@popntop.com
(800) 635-0436
Proctor Companies
www.proctorco.com
Bruce B. Proctor
sales@proctorco.com
(303) 973-8989
Reynolds & Reynolds
www.reynolds-reynolds.com
Stan W. Reynolds
s.w.reynolds@reynolds-reynolds.com
(515) 557-1234
ShoWest
www.showest.com
Mitchell Neuhauser
mneuhauser@vnuexpo.com
(646) 654-7680
Sony Electronics
www.sony.com/SXRD
Sales
(800) 686-7669
It
was the little magazine that could. In its six years, In
Focus magazine
garnered year-by-year increases in ad sales, as word-of-mouth
spread of its value. I was at my busiest last year rescheduling
advertisers (and booking many new ones) because we gave them
the best bang for their buck – a targeted readership,
a vibrant publication, an online Ad Index, and a number of
great ad spaces (including pages before the Table of Contents,
modeled after consumer magazines, which received an equal
amount of praise and objections). I’m very proud of
In Focus and all that we’ve achieved from the risks
we took to become a successful publication in the movie business.
People have wondered how only four individuals produce this
magazine. It’s our creativity and hard work – together.
And I commend our advertisers (and their
agencies and designers) for their trust, loyalty, collaboration
and confidence of
In Focus magazine – and me. I’m grateful for
you responding to my endless phone calls, e-mails, mailers,
faxes, promotions and reminders – and for actually
buying ad space in this magazine.
1Better LLC, Access Integrated Technologies
Inc., Amatech, American Licorice, Avica Technology, BCS/Stadium
Seating
Erectors, Behr Browers Architects, Boothsupplies.com/General
Theatrical Supply, Brejtfus Theatrical Interiors, Caddy
Products Inc. and Leading Edge Systems, Christie Digital
Systems Inc.,
Cincom, Cinecon Group Inc., Cinema Concepts, Cinema Products
International, Cinema Screen Media, CinemaSource, Cinemeccanica
U.S. Inc., The Coca-Cola Company, ConAgra Snack Foods,
Concord EFS Inc., Digital Projection Inc., Dolby Laboratories,
Dolphin/Dafeng
Seating, Doremi Cinema, DR Design & Marketing Services,
DTS, Dukane Corp, Duraform, Durra Building Systems, Eastman
Kodak Co., Efficient-Tec International, Entertainment Equipment
Corp., Fay Studios, Filmack Studios, First Impressions Theme
Theatres, Franklin Designs Inc., Front Row Marketing, GDC
Technology Ltd., GE Commercial Finance Global Media & Communications,
Great States Theatre Convention, Harkness Screens, Hatch
Marketing Inc., Haven Technology Corp., Hershey’s Food
Corporation, Horizon Film Projection Int’l, Hurley
Screen Corp., International Audio Visual Inc./Sanyo, International
Cinema Equipment’, Isco-Optic AG, JBL Professional,
Kay Chemicals Company, Kernel Season’s, Kinetronics
Corp., Lancaster Colony Commercial Products, Lighting Technologies
International, Llexell Inc., Mag North Inc., Marquee Logistics
Solutions, Martek CRS Inc., MDI (Marcel Desrochers Inc.),
Meadowbrook Pictures, Mobiliario, S.A. de CV, Morrison Farms,
Motion Picture Assocation of America, Mycinemastore, NCS
Corp., NEC Solutions America/Media Solutions, Nestlé Food
Services, Nestle USA, Nick Mulone & Son, Nutty Bavarian
of Indiana LLC, Odell’s, Omniterm Data Technology Ltd.,
Onestop Business, Ovation Interactive LLC, Pacer/Cats - CCS,
Paradigm Design, PepsiCo Foodservice, PrintTix, Proctor Companies,
Promotion in Motion, Promotional Management Group, ProStar
Industries, QSC Audio Products Inc., QuVIS Inc., R.S. Engineering & Mfg,
Radiant Systems, Ready Theatre Systems, Reel Time Theater
Management Inc., Retriever Software, Reward Wall Systems,
Rocky Mountain Convention, Schneider Optics, Screenvision,
Sensible Cinema Software, ShoWest, SLS Loudspeakers, SMPTE,
Sony Electronics, Soundfold Inc., Splyce Software, Stadium
Savers Ltd, Strong International, Technicolor Digital Cinema,
Tempo Industries, Texas Digital, Texas Instruments DLP Cinema™,
Theatre Service & Supply, Theatre Services International
Inc., Theatrical Entertainment Services Worldwide, THX
Ltd., Ticketsoft, Titan Technology Group LLC, TK Architects,
Tomy
Yujin Corp., Triton International, TurboChef, Ultra Stereo
Labs/USL Inc., UniqueScreen Media, and Vista Entertainment
Solutions Ltd.
Kudos to the wonderful support of NATO, the great editorial
work of my colleagues and the professional talents of the
production team at The Printing Connection, who have made In
Focus a glossy delight to read every time (and saved me
a few times!).
Also, many thanks to Cargill Vegetable Oils, The Hollywood
Reporter, Lawrence Metal Products, Moving Image Technologies,
Nielsen EDI, Paramount Pictures, Sony Pictures Releasing,
Techicolor Entertainment Services, Tootsie Roll, Universal
Pictures, and Warner Bros. Distribution for supporting our
annual Encyclopedia of Exhibition throughout my years at
NATO.
It’s been my pleasure.
Mary dela Cruz, Advertising Director and Associate Editor
