To Accommodate New and Future Projectors
DCI Studios Approve 4K/2K Architecture
The pursuit of a hierarchical
architecture approach for digital cinema – one defining
a 4K delivery system that will be compatible with both
4K and 2K digital projectors – was approved unanimously
Nov. 12 by the seven Digital Cinema Initiatives (DCI) member
studios.
2K digital cinema projectors were introduced
in March at ShoWest 2003; 4K projectors (utilizing a 4096
by 2160 pixel
configuration) are still on the drawing board, but expected
to join the digital cinema universe in the future.
DCI is also continuing to encourage manufacturers
to develop related technology for DCI testing and evaluation.
This next phase of DCI’s testing program will undertake
the review of a variety of hierarchical compression techniques
and systems capable of both 4K- and 2K-image delivery.
“This new direction for DCI’s testing program is an
important step toward providing a common specification
that can be embraced by all the studios,” said DCI
CEO Chuck Goldwater. “With this step forward we are
still on track to deliver a final draft version of the
DCI Technical Specifications in the spring of 2004.”
“NATO and its members are pleased that
DCI’s Version
3.0 provides for backwards compatibility while accommodating
both 2K and 4K capabilities,” said NATO president
John Fithian. “NATO continues to support the development
of technical specifications and standards that enable digital
cinema systems to operate in a compatible and interoperable
environment.”
Last year, DCI engaged the Digital Cinema
Laboratory, a project of the Entertainment Technology Center
(ETC) at
USC, to be the facility and test-bed where DCI would evaluate
the prescribed specification. “With this announcement
today, DCI has taken a significant step forward in the
development of digital cinema,” said ETC CEO Charles
S. Swartz. “The lab was created specially for high-level
testing and evaluation of digital cinema systems and it
will play a critical role in the coming months.”
“We applaud DCI’s commitment to setting the highest
possible standards for the future of the cinema,” said
American Society of Cinematographers president Richard
Crudo. “We believe the DCI Digital Cinema effort
is a forward-looking venture which is headed down the right
path to meeting the needs of the worldwide creative community.”
Details of DCI’s hierarchical architecture
approach to digital cinema can be obtained in the DCI Technical
Specifications by contacting DCI chief technology officer
Walt Ordway.
DCI was created in March 2002 as a joint
venture of the Disney, Fox, MGM, Paramount, Sony, Universal
and Warner
Bros. film studios, primarily to establish and document
voluntary specifications for an open digital cinema architecture
to ensure a uniform and high level of technical performance,
reliability and quality control. DCI will also facilitate
the development of business plans and strategies to help
spur deployment of digital cinema systems in cinemas. 