Volume III No. 5

A publication of the National Association of Theatre Owners

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Congressional Bills Introduced To Clarify Consumer’s Rights
Digital Rights Management
by Jonathan Yarowsky
NATO Washington Counsel
As NATO continues its collaborative work with the movie studios in the digital cinema area, we thought it would be useful to give a brief update on the current state of congressional efforts to protect both copyright online and consumer fair-use rights in the 108th Congress. This policy debate is subsumed under the broad rubric of “digital rights management” (DRM). As the online marketplace expands to include almost every imaginable product and service – including movies – the concern over how to protect that content online has become increasingly urgent to content providers, technology companies and consumer electronics manufacturers.

For NATO members, this debate is now not merely a distant policy fight between other interested parties. Theatre owners have always been on the interactive “front line,” having long thrived on the primacy and immediacy of the theatrical release of motion pictures. The reason studios release movies in the theatres first is simple – they are the venues of choice for the viewing public. However, the equally simple reality is that studios are businesses too, and are constantly looking for distribution modalities to increase their revenue intake from films. In past decades, the advent of VCR and DVD technologies have been harnessed to increase viewership; and now the Internet and digital technology are providing new avenues of exposure. But with new technology comes new threats to protected content.

And it is this copyright piracy that remains an abiding issue for theatre owners. Piracy of movies destroys the incentive for artists and creators to bring fresh visions and products to U.S. consumers and certainly denies theatre owners the revenue stream justly earned by their enterprise. As Congress and the private sector consider how to defeat piracy in an ever-changing technological world, theatre owners must be willing to do their part to protect entertainment product at a cost that is not prohibitive. NATO members are already showing their commitment, as evidenced by their collaborative work in digital cinema. For all of these reasons, we will be closely tracking the developments in this area during the 108th Congress, as members grapple with the competing issues of online content protection, “fair use” of product by consumers and the drive toward technological innovation.

On Jan. 7, Rep. Rick Boucher (D-Va.) introduced H.R. 107, the Digital Media Consumer Rights Act. In an effort to protect “fair use” rights, the bill would attempt to clarify the view that it is not a crime to circumvent a technological measure in connection with gaining access to a work – if the circumvention does not result in an infringement of the work’s copyright.

On March 4, Rep. Zoe Lofgren (D-Calif.) introduced H.R. 1066. This bill seeks to protect a consumer’s right to make copies of digital content: 1) by specifically allowing consumers to make a back up copy for use on any digital playback device, whether it be an MP3 player or a PDA; 2) by prohibiting copyright owners from employing non-negotiable “shrink-wrap” licenses that limit the rights and expectations of the consumer; 3) by allowing consumers to sell or give away their copies of digital works; 4) by permitting a consumer to bypass technical measures that impede their rights and expectations; and 5) by allowing content owners the flexibility to develop new and innovative ways to protect their content and enable lawful uses.

At the same time, private industry negotiations are going forward to create a standard by which content can be protected in both over-the-air broadcasts and digital transmissions. The House Judiciary Committee has already begun hearings on these issues, and we expect the House Energy and Commerce Committee to move into the policy debate very soon.

In the Senate, Judiciary Committee chairman Orrin Hatch (R-Utah) recently promised to work with all sides to reach appropriate agreements to settle the DRM debate. While he said in a recent speech that, if necessary, he would try to move legislation, his first choice is to find a private industry solution.

As these policy debates proceed, you can be sure that we will monitor them closely to ensure that movie theatres – which stand at the crossroads of both content and technology – continue to grow and thrive in the new digital world.

 

 

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