Archive for the “The Reel Blog” Category

The L.A. Times is reporting that Sony has agreed with theater owners to hold off on releasing the DVD for the Michael Jackson concert documentary, This Is It, until after Christmas.

 Sony Pictures desperately wanted to release the DVD of the Michael Jackson concert movie "This Is It" for the holiday shopping season, but backed down after movie theater owners balked that it was too soon following the film's theatrical premiere.

"This Is It" opened in 99 countries yesterday and is scheduled for a limited two-week run, though the studio may extend that depending on ticket sales.

Sony had hoped to capitalize on audiences' heightened interest in what turned out to be Jackson's final performance by releasing the DVD in mid-December, about a month after the movie ends its short time in theaters. The disc is now expected to come out in late January or early February.

As noted in recent posts here, the theatrical release window is a question of considerable concern for theater owners. Negotiations between studios and theater owners can become quite intense.

"We felt we made a pretty good case as to why this movie was different," said Jeff Blake, vice chairman of Sony Pictures Entertainment, who oversees worldwide marketing and distribution.

However, the movie theater owners refused to budge.

"We had several conversations with Sony and so did our members," said John Fithian, president of the National Assn. of Theatre Owners, an industry trade group. "Anytime we see the window go under three months, we alert our members and raise concerns with the studios."

After hearing complaints from executives at several of his member companies, Fithian said, "I raised a general concern with Sony about the extraordinarily short window."

After talking with theater owners, Sony, whose DVD releases on average come out four months and four days after a movie's theatrical run, reluctantly decided to back off from its request in order to preserve good relations with them.

"We didn't want it to be an issue," said Blake. "At the end of the day, we wanted a big theatrical run and they certainly stepped up and supported that with 6,000 screens in 3,481 theaters."

However, the Sony executive acknowledged that he was sorry the studio didn't get what it it wanted. "It would have made a big financial difference to us," he noted.

This Is It grossed $2.2 million in late Tuesday night debuts. Wednesday grosses have been estimated anywhere from $8-10 million. Offical numbers are expected from Sony later today.



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Following up this post, Variety reports that Paramount is widening the release window on The Goods: Live Hard Sell Hard.

 In an effort to assuage exhib concerns, Paramount did agree to push back the DVD launch of Jeremy Piven laffer "The Goods: Live Hard, Sell Hard" from Nov. 11 to late November. Had the release date stayed the same, "Live Hard" would have come out only 12½ weeks after its Aug. 24 release.

Although, Paramount did not move the disputed G.I. Joe DVD release - a skinny 88 days - it did assert that the narrow window was an exception, not a policy.

Par, besieged with calls from angry theater owners, held a number of discussions with exhibs. Studio told exhibs that "G.I. Joe's" DVD launch was timed to the release of Hasbro's corresponding toy line for the holiday season, and that it was the best thing for the franchise.

Given that DVD revenues have been down the last two years and continue down an estimated 13.9% this year, while theatrical box office has set records the last two years and is on pace to set another record this year, it isn't surprising that distributors are sending movie theater owners some love.

"I think ultimately, Paramount remains committed to separate DVD and theatrical windows, and completely committed to protecting the moviegoing theatrical experience," Paramount vice chair Rob Moore said.


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The Hollywood Reporter takes note of a couple of recent extremely narrow release windows:

The Windows War is on again.

Paramount's recent move to schedule two DVDs for release less than three months after their theatrical openings has renewed hostilities between Hollywood studios and movie theater operators.

Last week, Par scheduled its summer action hit "G.I. Joe: The Rise of Cobra" for a Nov. 3 debut on shiny disc, or 88 days after its release in theaters. It also set the Jeremy Piven comedy "The Goods: Live Hard, Sell Hard" for DVD release Nov. 10, also 88 days from its theatrical bow.

The article goes on to note NATO's release window tracking reports, which are available here. Our last report covered films with announced home release dates through September 25. The article gives our updated numbers through October 12.

Needless to say, exhibitors are not shy about expressing their opinions.

"I view the studios as our partners, but it seems like the rules of the game are changing," Cineplex chief Ellis Jacob said. "That's a concern. We at Cineplex have invested a lot of money in our theaters and in new technology such as 3D. So when something like this happens, it creates an issue with people from the standpoint of entertainment choices. If a guest of ours knows a movie is going to be on DVD in less than 90 days, then they know that if they miss it they can catch it on DVD not too much later."

Regal's president, Greg Dunn, made his company's views clear.

"Maintaining the appropriate timeline or windows between the theatrical release and ancillary markets is critical and essential for the overall good of the film industry," Dunn said. "If the existing windows policies were significantly adjusted, we would aggressively respond -- as we would toward any policy that would negatively impact the industry."

The Reporter's Carl Diorio got no on-the-record responses from Fox or paramount.

 

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D. Edward Vogel, proprietor.


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NATO announced today the hiring of Mitch Neuhauser as Show Manager of its official convention, slated to kick off in March 2011. Neuhauser begins work September 14.

The veteran of managing ShoWest, ShowEast, Cine Asia and Cinema Expo collected nothing but praise on the announcement of his employment.

Bruce Snyder, president of domestic distribution, 20th Century Fox Film Corp.,  said, “That's a no brainer, get Mitch Neuhauser to run the show for NATO and you can't go wrong. He gets two thumbs up from this office.”
 
 “On all points: strategy, planning and execution,” Mark Zoradi, president of Walt Disney Motion Picture Group said,  “Mitch has done an outstanding job, he has my full support in leading your new team.”
 
Andrew Cripps, Paramount president of international distribution said, “Mitch has excellent communication skills, is a very good manager, works with us tirelessly and never lets anything faze him, despite seemingly odd requests that we do throw his way.”

The full press release is here.

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NPR's Morning Edition is looking for low-cost alternatives to expensive summer vacations.

"Good evening folks, and a hearty welcome to our drive-in theater. We've a wonderful evening's entertainment lined up for you. One that will provide several hours of pleasurable relaxation and diversion for you and your family."

Too late. My daughters are already asleep in the back seat. But that's one of the beauties of a cheap thrill. If I had paid the $121 per seat for The Little Mermaid on Broadway, I'd be prying those cute eyes open right now. As it is, I can tilt the seat back and chill.
 

There's much more.

Listen here.

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The gone-too-soon John Hughes was the NATO/ShoWest Producer of the Year in 1991.

This is the star-stuffed tribute reel.

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There is nothing more to say.

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The L.A. Times has an article in today's paper speculating as to why some big budget films are failing at the box office this summer. Fine, as far as it goes. 

Not so fine: the headline, "Summer movie season cooling off"; and the basic premise of the article.

The summer movie season is more than halfway over and a vacation season that started off hot -- "Star Trek," "The Hangover," "Up" -- has now cooled considerably. Despite the fast start to the year's ticket sales, seasonal returns are now up only 5% since May 1, compared with a year ago.

Note the cooling:

 Week          Week Gross
05/01/09    $195,511,586
05/08/09    $201,198,958
05/15/09    $194,370,510
05/22/09    $261,111,146
05/29/09    $228,989,406
06/05/09    $245,386,286
06/12/09    $210,723,390
06/19/09    $309,316,760
06/26/09    $347,733,194
07/03/09    $213,036,839
 
The current week should conclude with about $260 million total.

In other words, the Times article gets its facts wrong. It also gets its interpretation wrong and in the same paragraph. The fast start to 2009's box office came largely in comparison to a weak start to 2008 with box office up 9.4%. The seemingly smaller 5% advantage for summer 09 vs. summer 08 is purely a function of comparing this year's summer session to the second highest-grossing summer in hitory. 

It would be like comparing a straight-set 6-0, 6-0, 6-0 victory over my 79 year-old mother to a five set win over Roger Federer that went to a tie-breaker and suggesting maybe I've lost a step.

And for those keeping score at home, summer 2009 is also ahead of the record summer of 2007 by roughly 1%. Brrrr.



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I only ask because this has been wrapped around NATO's North Hollywood office for a couple of weeks now.

I'm about two floors below the dinosaur's ravening jaws.

Come by and visit.

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